因乐成瘾012-宇宙浪人的情歌

因乐成瘾012-宇宙浪人的情歌 Tracklist: 01. Einoma – Khanin 02. Gold Chains - The Game 03. Gold Chains – Revolution 04. Soap & Skin - Mr. Gaunt Pt 1000 05. Soap & Skin – Sleep 06. Super Numeri - The Electric Horse Garden 07. 藤井乡子 - April's Shower 08. 藤井乡子 - Then I Met You 09. Heavy Winged - The Wave Crest NJ: Ronez 特别推荐：藤井乡子的两首作品。她是日本前卫JAZZ圈非常出色的钢琴手。 Soap&Skin is the experimental musical project of Austrian artist Anja Plaschg (born 5 April 1990). Life Anja Plaschg grew up in a small village called Poppendorf (near Gnas) in south east Styria), where her parents have a farm. She has played piano since she was six. At the age of 14 she began violin studies and developed an interest in electronic music. She attended the Graz Polytechnic for Graphic Design, but dropped out at 16 and moved to Vienna shortly afterwards. There she studied art at the Academy of Fine Arts in the master class of Daniel Richter, but at 18 dropped out again.[1] Musicians like Xiu Xiu, Cat Power, Björk, Nico, Aphex Twin and composers like Sergei Rachmaninoff or Arvo Pärt have had a great impact on her music.[2] After only playing a handful of concerts she was already being dubbed a "Wunderkind".[3] In 2008 she played German singer Nico in the play "Nico - Sphinx aus Eis" by Werner Fritsch in Berlin and Vienna, performing several songs in it, including "Janitor of Lunacy", from her first EP.[4] Her first album, called Lovetune for Vacuum, was released in March 2009.[5] It received excellent reviews and placed in the Austrian Top 10. The album also achieved chart positions in Germany, Belgium and France. Music journalists have already claimed to see in her a new star of Austrian pop.[6] In 2010 she won an European Border Breakers Award for her international success.[7] In 2010 her song "Mr. Gaunt Pt 1000" was used in the television commercial for Ford's Mondeo. In the 2010 French film "Mes chères études" (also known as "Student Services"), the song titled "The Sun" plays during the credits. Her tracks "Brother of Sleep" and "Marche Funèbre" were used in the soundtrack for Universal Pictures thriller War Games: At the End of the Day in 2010. The death of her father in 2009 was a key element on her mini-album Narrow, which was released in February 2012.[8] In 2012, she debuted as an actress, playing the role of the supporting character Carmen in the Austrian movie Stilleben (English title: Still Life). Discography[edit] Albums • 2009: Lovetune for Vacuum (Couch Records/PIAS Records) - Austria #5, Germany #47 • 2012: Narrow (PIAS Records) - Austria #1, Germany #53 EPs • 2008: Untitled (4-Track-EP) (Couch Records/PIAS Records) • 2009: Marche Funèbre (3-Track-EP) (Couch Records/PIAS Records) • 2013: Sugarbread (3-Track-EP) (PIAS Records) Singles • 2009: Spiracle (7" Vinyl) (Couch Records/PIAS Records) - Austria #45 • 2009: Mr. Gaunt PT 1000 (Couch Records/PIAS Records) - Austria #60 • 2009: Cynthia (Couch Records) • 2015: Mawal Jamar (SOLFO Music) 藤井乡子Satoko Fujii专辑介绍：by François Couture Released on the Japanese label Ewe in April 2001 and picked up a year later by Buzz for the European market, April Shower features piano solos, overdubbed piano duets, and duets with violinist Mark Feldman. In Satoko Fujii's discography, it stands as one of her most intimate, tender, and, therefore, listener-friendly efforts, close to her debut Something About Water on which her mentor, Paul Bley, duetted with her. Feldman appears on half of the pieces, and they are the best moments of the album. His adaptability to any context has become legendary, yet his playing preserves a burning passion (talented studio musicians -- even improvisers -- can sound cold, detached, just doing their job). When the lines call for a sense of yearning, a lyrical phrasing, Feldman puts it just right ("Then I Met You" is a heartbreaker). When things get more frenetic, he can deliver the energy (outstanding in "Nice Talking to You"). Fujii's solo pieces, whether made of one or two piano tracks, feel like interludes at first. Repeated listens reveal the depth of her compositions and their complementarity with the duets. They tap into something jazzier, bringing back the influence of Bley, but also McCoy Tyner and Cecil Taylor. Her range of expression, her ability to turn a mood inside out (as in "Behind the Notes" when that left-hand motif savagely enters halfway through), make this album something to cherish. April Shower is less intellectual-sounding than her trio, sextet, or orchestra recordings. It brings you closer to the woman and her love of the music. Highly recommended, especially to newcomers with a jazz background.