I had myself called with the four o'clock watch, mornings, for one cannot see too many summer sunrises on the Mississippi.
They are enchanting.First, there is the eloquence of silence; for a deep hush broods everywhere.Next, there is the haunting sense of loneliness, isolation, remoteness from the worry and bustle of the world.
The dawn creeps in stealthily; the solid walls of black forest soften to gray, and vast stretches of the river open up and reveal themselves; the water is glass-smooth, gives off spectral little wreaths of white mist, there is not the faintest breath of wind, nor stir of leaf; the tranquillity is profound and infinitely satisfying.
Then a bird pipes up, another follows, and soon the pipings develop into a jubilant riot of music.You see none of the birds; you simply move through an atmosphere of song which seems to sing itself.
When the light has become a little stronger, you have one of the fairest and softest pictures imaginable. You have the intense green of the massed and crowded foliage near by; you see it paling shade by shade in front of you; upon the next projecting cape, a mile off or more, the tint has lightened to the tender young green of spring; the cape beyond that one has almost lost color, and the furthest one, miles away under the horizon, sleeps upon the water a mere dim vapor, and hardly separable from the sky above it and about it.
And all this stretch of river is a mirror, and you have the shadowy reflections of the leafage and the curving shores and the receding capes pictured in it. Well, that is all beautiful; soft and rich and beautiful; and when the sun gets well up, and distributes a pink flush here and a powder of gold yonder and a purple haze where it will yield the best effect, you grant that you have seen something that is worth remembering.