介绍:
Track List:
01. Come Elektra Tuesday (1985)
Unreleased song recorded on 26 May 1985 at Sunset Sound. The song features Jill Jones on background vocals.
It is unknown if this song was intended for any project at the time.
02. Others Here With Us (1985)
Unreleased track recorded on 20 April 1985 at Sunset Sound.
The song’s backing is largely built up from samples from the Fairlight CMI sample-synthesizer.
It was included as the fifth track on a 1 May 1985 configuration of Parade, but was removed before the album’s release.
03. Living Doll (Jill Jones) (1985)
Unreleased song recorded on 2 June 1985 at Sunset Sound.
The song was intended for Jill Jones’ album Jill Jones, but ultimately not included.
04. Empty Room (1985)
Initial tracking took place on 4 August 1985 at the Washington Avenue Warehouse, Eden Prairie, MN, USA.
It was recorded with the Revolution, following an argument with Susannah Melvoin.
05. My Baby Knows (Jill Jones) (1985)
In Summer, 1985, Prince worked on the track further with Jill Jones, who added lead vocal overdubs at Sunset Sound, Hollywood, CA, USA.
Soon after, Prince sent the song to Clare Fischer to add orchestration, which was added in August 1985, at Monterey Sound Studios, Glendale, CA, USA,
but the song was ultimately not included on Jill Jones’ album Jill Jones.
06. Killin’ At The Soda Shop (Jill Jones) (1985)
Unreleased song recorded on 29 May 1985 at Sunset Sound. Clare Fischer arranged and recorded orchestration for the song in August 1985,
at Monterey Sound Studios, but the song was ultimately not included on Jill Jones’ album Jill Jones.
07. Eternity (1985)
While specific recording dates are not known, initial tracking took place in December 1985, at Sunset Sound.
Prince first offered the track to George Clinton for a project he was producing for Vanessa Williams, but the song was not used.
Sheena Easton’s vocals were recorded later, although details of her recording are not known.
08. Mia Bocca (Jill Jones) (1986)
Prince mixed the song on 30 January 1986 at Sunset Sound. While David Z. and Jill Jones are listed as producers of the song,
the only musicians known to have contributed to the track beyond Prince and Jill Jones are Clare Fischer’s orchestra, hired by Prince.
09. If I Could Get Your Attention (Jill Jones) (1986)
Jill Jones version, recorded in May/June 1986. The track was written by Prince, although credited to Taja Sevelle,
who wrote additional lyrics, and was produced by Prince.
10. Power Fantastic (1986)
Includes instrumental intro removed for inclusion on The Hits / The B-Sides. The track was recorded live on 19 March 1986 at Prince’s Galpin Blvd Home Studio in Chanhassen, MN, USA, during initial sessions for the Dream Factory album.
11. Crystal Ball (1986)
Initial tracking took place on 17 April 1986 at Galpin Blvd Home Studio.
Original full length version without Clare Fischer orchestra, as placed on the 3 June 1986 configuration of Dream Factory.
12. Witness 4 The Prosecution (1986)
Unreleased track initially recorded on 27 March 1986 at Prince’s Galpin Blvd Home Studio.
Prince re-recorded the track completely on 6 October 1986 (the day after Rescue Me and the day before disbanding the Revolution and recording Telepathy) at Sunset Sound, Hollywood, CA, USA. It is not known if this re-recording was intended for any specific project.
13. Movie Star (1986)
Initial tracking took place on 27 March 1986 at Prince’s Galpin Blvd Home Studio.
Original version with additional lyrics, included on 3 June 1986 configuration of Dream Factory, segueing into A Place In Heaven.
14. A Place In Heaven (1986)
Unreleased track recorded on 27 March 1986 at Prince’s Galpin Blvd Home Studio.
Lisa Coleman’s vocal version of the track was included as the tenth track on a late April 1986 configuration of the Dream Factory album.
Prince surprisingly performed a two and a half minute rendition of it at the first show of the Piano & A Microphone Tour in Melbourne Australia, seemingly in connection with the passing of Denise Matthews a.k.a. Vanity the day before.
15. Girl O’ My Dreams (1986)
The track was re-recorded on 18 June 1986 at the Washington Avenue Warehouse.
The track was given to T.C. Ellis, who had appeared in the Graffiti Bridge movie, when he and Levi Seacer, Jr.
were working on his album True Confessions in 1990-1, and the track was re-recorded without Prince’s input for use on the album.
16. Can’t Stop This Feeling I Got (1986)
The track was re-recorded on 17 June 1986 at the Washington Avenue Warehouse.
17. We Can Funk (1986)
This is the ‘Finished’ 1986 version. Prince toned down the title and lyrics of the song, and re-recorded the track on 17 June 1986 at the Washington Avenue Warehouse. The original version titled We Can Fuck was released (as We Can F**k) as the tenth track on the From The Vault & Previously Unreleased disc of the Purple Rain Deluxe album in June 2017.
18. Data Bank (1986)
Initial tracking took place on 17 June 1986 at the Washington Avenue Warehouse.
The track was re-recorded with Morris Day on lead vocals in Summer 1989, at Paisley Park Studios, Chanhassen, MN, USA, when Prince and Morris Day worked on the projected fourth album by The Time, Corporate World, which later morphed into Pandemonium.
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